Irit Amiel

JEWISH WOMEN'S WRITING
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    • Autumn 2025 Yiddish Women's Writing >
      • 1. Introduction to the course 9/9/2025
      • 2. Fradl Shtok stories >
        • Fradl Shtok. Lecture and Questions
      • 3. Celia Dropkin. Poetic voice
    • Spring 2024: Chava Rosenfarb
    • Spring 2023 Yiddish Short Stories Masterpieces >
      • Mendele Mokher Sforim
    • YIDDISH CINEMA
    • 2022 Found Treasures Short Stories by Jewish Women Writers >
      • Found Treasure #1 Sarah Hamer Jacklyn
      • Found Treasure #2 Esther Singer Kreitman
      • Found Treasure #3 Rokhl Brokhes
      • Found Treasure #4 Dora Schulner
      • Found Treasure #5 Miriam Raskin
      • Found Treasure #6 Ida Maze
      • Found Treasure #7 Shira Gorshman
      • Found Treasure #8 Malka Lee
      • Found Treasure #9 Yente Serdatzki
      • Found Treasure #10 Lily Berger
      • Found Treasure #11 Blume Lempel
    • Spring 2022 Yiddish Literature in Translation >
      • READER Yiddish Literature 2022
    • Autumn 2021 Short Stories by Women >
      • Material The Art of Short Stories by Women
    • Spring 2021 Towards the Present: Contemporary Jewish Women's Writing >
      • Secular Jewish Identity/ Irena Klepfisz
      • Secular Jewish Identity (2)
      • Dvora Baron's Deserted Wife
      • Esther Frumkin
      • The Teacher Michal Ben Naftali
      • Orly Catel-Bloom The Egyptian Novel
      • Warsaw Ghetto Uprising #RememberingTogether >
        • Bashert and Synagogue Projects: Irena Klepfisz and Gabi von Seltmann
    • Autumn 2020 Jewish Women Courses >
      • The Questions of Identity >
        • Introduction
        • Dvorah Baron
        • Anna Margolin
        • Irena Klepfisz
        • Irena Klepfisz and Polish BUND
        • Khana Levin
        • Mothers and Daughters: Vivienne Gornick
        • Secular and Religious Identities
        • Kadia Kolodowsky
        • Deborah Fogel >
          • Deborah Vogel's Notion of Monotony
        • Rachel and Zelda
        • Lea Goldberg
        • Irit Amiel
        • Zuzanna Ginczanka
  • Events
  • A Poem for International Women's Day
  • Shana Tova with a Poem
  • For Halloween

Meeting in London (January 2014)


Irit Amiel, born in Poland, survived World War II by escaping the Czestochowa ghetto using false Aryan papers. Via illegal routes (through displaced persons camps in Germany, Italy and Cyprus), she reached Israel, where she works as a writer, translator and writes poetry in two languages (Polish and Hebrew). She has translated several Polish authors, including Leo Lipski, Henryk Grynberg, Hanna Krall and Wisława Szymborska.

HERE AND THERE
 
Sometimes, on a summer evening,
when a light breeze comes in off the sea
the smell of the old returns awhile.
 
And she trembles on the spot
and asks herself whether she is still
that tiny little girl
who used to stand alone on the platform
staring at trains speeding past,
choking on longing, tears and hope,
or running back and forth between carriages,
looking among unknown faces
for that beloved, kind, cuddly
smile known only from a faded
photograph which will not return
now from any direction.
 
Sometimes, on a summer evening,
when a light breeze comes in off the sea,
in the blink of an eye there is here and here is there.

TU I TAM
 
Czasami letnią wieczorną porą
gdy lekki wiaterek od morza wieje
zapachnie na chwilę po dawnemu.
 
A ona na miejscu truchleje
i zastanawia się czy jest wciąż
nadal tamtą małą dziewczyną
co godzinami stała sama na peronie
wpatrzona w rozpędzone pociągi
zduszona tęsknotą łzami i nadzieją
albo biegała pomiędzy wagonami
szukając na obcych twarzach
tego ukochanego wymiętoszonego
uśmiechu ze starego wyblakłego już
zdjęcia,który nie wróci już
z żadnej podróży
 
Czasami letnią wieczorną porą
gdy lekki wiaterek od morza wieje
na okamgnienie tam jest tu a tu jest tam.
​


Picture

Picture
Irir Amiel in the Masaryk Room at the School of Slavonic and East European Studies UCL, London 2015
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  • HOME
    • Contact
  • COURSES
    • Autumn 2025 Yiddish Women's Writing >
      • 1. Introduction to the course 9/9/2025
      • 2. Fradl Shtok stories >
        • Fradl Shtok. Lecture and Questions
      • 3. Celia Dropkin. Poetic voice
    • Spring 2024: Chava Rosenfarb
    • Spring 2023 Yiddish Short Stories Masterpieces >
      • Mendele Mokher Sforim
    • YIDDISH CINEMA
    • 2022 Found Treasures Short Stories by Jewish Women Writers >
      • Found Treasure #1 Sarah Hamer Jacklyn
      • Found Treasure #2 Esther Singer Kreitman
      • Found Treasure #3 Rokhl Brokhes
      • Found Treasure #4 Dora Schulner
      • Found Treasure #5 Miriam Raskin
      • Found Treasure #6 Ida Maze
      • Found Treasure #7 Shira Gorshman
      • Found Treasure #8 Malka Lee
      • Found Treasure #9 Yente Serdatzki
      • Found Treasure #10 Lily Berger
      • Found Treasure #11 Blume Lempel
    • Spring 2022 Yiddish Literature in Translation >
      • READER Yiddish Literature 2022
    • Autumn 2021 Short Stories by Women >
      • Material The Art of Short Stories by Women
    • Spring 2021 Towards the Present: Contemporary Jewish Women's Writing >
      • Secular Jewish Identity/ Irena Klepfisz
      • Secular Jewish Identity (2)
      • Dvora Baron's Deserted Wife
      • Esther Frumkin
      • The Teacher Michal Ben Naftali
      • Orly Catel-Bloom The Egyptian Novel
      • Warsaw Ghetto Uprising #RememberingTogether >
        • Bashert and Synagogue Projects: Irena Klepfisz and Gabi von Seltmann
    • Autumn 2020 Jewish Women Courses >
      • The Questions of Identity >
        • Introduction
        • Dvorah Baron
        • Anna Margolin
        • Irena Klepfisz
        • Irena Klepfisz and Polish BUND
        • Khana Levin
        • Mothers and Daughters: Vivienne Gornick
        • Secular and Religious Identities
        • Kadia Kolodowsky
        • Deborah Fogel >
          • Deborah Vogel's Notion of Monotony
        • Rachel and Zelda
        • Lea Goldberg
        • Irit Amiel
        • Zuzanna Ginczanka
  • Events
  • A Poem for International Women's Day
  • Shana Tova with a Poem
  • For Halloween